This text is about the listening that can get lost in the translation of recorded sound to text in the process of knowledge or cultural production. It considers this as a way of highlighting ways we do or don’t listen, and the politics of listening as viewed through the construction and use of sound archives. The material has its origins in research on and within the British Library sound archive, as well as new interviews. Continue reading “Freya Johnson Ross ‘Are you an expert in everything?’”
Publishing writing by musicians, artists, critics and listeners of contemporary music and associated arts practices.
Wolf Notes 